In her month-to-month sci-fi column, Helen Marshall plumbs the thoughts’s most gripping fictional futures in Jeanette Winterson’s Frankissstein and Ted Chiang’s Exhalation
eight Could 2019
Meet thy maker: Colin Clive and Boris Karloff in Frankenstein (1931)
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WHEN literary novelists attempt their hand at science fiction, the outcomes could be blended. Refreshingly, Jeanette Winterson’s Frankissstein: A Love Story is a wildly creative reimagining of considered one of science fiction’s most beloved tales.
Revealed a yr after the bicentenary of Mary Shelley’s Frankenstein, the novel presents parallel tales of “future concern”. One is a fragmented, fictionalised account of Shelley’s life set towards the backdrop of the Industrial Revolution and its attendant horrors. In it, Mary Shelley’s stepsister Claire …